When I started blogging my drawings I was working in small bound books (Moleskines), one drawing a day: bound drawings that somehow maintained a daily narrative, inseparable from their collective physical context. As time went on, the drawings became more complex and more enmeshed in an on-going thought process. They start one day and finish whenever they finish and I work in several sketchbooks at the same time, of various sizes. And the pages are now removable.
I work with internal (anatomy, a continuing fascination) and external (flux of experience and environment). And, over the last 10 years I’ve been experimenting with in-image captions, more and more in Spanish.
(Drawings are pencil, ink, watercolor, whatever on paper: various sketchbooks, going one book to the next. And the pages are now removable. All art copyright Sharon Frost, firstname.lastname@example.org).
Los pancitos para el dia de default Argentino. 8 x 12 in. double page sprread; watercolor, ink, whatever, on Stillman & Birn Zeta. (Our last days in Valparaiso. The urban landscape is uneasily maintained. The bread rolls for Argentina's day of default.)
(The birthday. In spite of the rooftops of Cerro Bellavista, the Reading Man is still reading. The t-shirt: I have seen the Messias play.) 8 x 12 in. double page spread; ink, watercolor, whatever, on paper